Vicente Romero Redondo Painting Canvas Print

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Stretched canvas prints look beautiful with or without frames.

Pixels Canvas Prints is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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Realistic acrylic painting of Vicente Romero Redondo working on his painting, painted by the artist Paul Meijering - the original painting is 90 x 90 cm and available for sale.

Vicente Romero Redondo (Madrid, 1956) is a Spanish figurative painter and educator, best known for his pastel depictions of graceful girls in solitude in romantic settings, adorned with artisanal clothing. Having lived on the Costa Brava for many years, his oeuvre is praised for conveying rare beauty and serenity, while emulating the vivid clarity characteristic of the art of indigenous Mediterranean masters. Romero Redondo's oeuvre has been exhibited with distinction across borders in Europe and beyond.

Romero Redondo grew up in an art-loving family and became interested in drawing and sketching at an early age in school. At the age of 19, he enrolled at the San Fernando Faculty of Fine Arts in Madrid, where he graduated in 1982 as "Licenciado" in sculpture. For several years he worked as a noma...

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...

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