Peter Aerts Canvas Print

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Stretched canvas prints look beautiful with or without frames.

Pixels Canvas Prints is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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Peter Aerts - realistic acrylic painting of Peter Aerts by the Dutch fine artist Paul Meijering - The Original painting is 120 x 90 cm and in the possession of Peter Aerts himself

Peter Aerts (born October 25, 1970) is a Dutch semi-retired super heavyweight kickboxer. Known for his devastating high kicks, which earned him the nickname "The Dutch Lumberjack", he is widely considered to be one of the greatest heavyweight kickboxers ever, along with Mirko Filipovi�, Remy Bonjasky, Andy Hug, Ernesto Hoost and Semmy Schilt.

Born in Eindhoven, Netherlands, Aerts began training in Muay Thai and kickboxing at the age of fourteen. He won his first world title when he was nineteen years old in 1990, taking the International Kick Boxing Federation's Heavyweight Championship. He would also add the Dutch heavyweight title the World Muay Thai Association's heavyweight title to his mantlepiece before going on to compete in the K-1 organization in Japan. He has competed in every K-...

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...

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