Hands Drawing Hands Canvas Print

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Stretched canvas prints look beautiful with or without frames.

Pixels Canvas Prints is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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Today, while staring at a blank sheet of paper on my desk, trying to write out a to-do list and thoughts about future photo shoots, I had the idea of trying to create something reminiscent of M.C. Escher's work, "Drawing Hands". So much for the lists!

It was a very simple setup. Actually, it wasn't really a "setup". Tripod in front of the desk and nothing but existing light. I was really only shooting some test frames to see if I could figure out a good way to proceed. Apparently, whatever I did was the way to do it!

I won't bore you with all of the details on the processing for this, but basically I created a base background layer, a shadow later, and a foreground layer with the hands. I then combined all three into a separate layer, created the charcoal look in Topaz Impression, added the result to the background layer, and then lather, rinse and repeat!

Day 106 of 365

Copyright 2016 Scott Norris Photography
www.scottnorrisphotography...

Emotion. Mood. Feelings. This is what I capture through my photographs. Whether it is landscapes, architectural elements, still life, or macros - it is a very personal journey as my own fears, triumphs, beliefs, and shortcomings are exposed with each photo. Much of what I shoot is done spontaneously without preconceived thought or plan. I let what is around me dictate what is photographed. And the shooting is only the first step - a jumping off point. I take the raw images and create what I see in my mind's eye. Coaxing out textures present in the shot - sometimes adding them. Enhancing the contrast of light and dark to create the mood and emotions I felt and feel. In the end, it's all about listening to my heart and mind and...

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